I’m thrilled to spotlight 
new words {press} is currently open for Issue no. 8, and poets working in boundary-pushing, risk-taking, or hybrid forms are especially encouraged to send work. Submissions are fee-free, accepted via Submittable, and remain open until April 20, 2026. The journal publishes three times a year, with an average response time of about two weeks and payment of $10 plus a contributor copy. If you’ve been looking for a welcoming home for innovative poetry by trans* and gender expansive writers, this is a great moment to submit.
HOPKINSON: Tell me a little bit about new words {press}.
BAGGETT: new words {press} is a sponsored nonprofit dedicated to elevating emerging and established trans* and gender-expansive poetic voices, building community, and sharing knowledge. We publish three poetry journal issues a year, as well as chapbooks and full-length books. We do our best to offer workshops and reading evens whenever possible in order to build community.
HOPKINSON: How/why was new words {press} originally started?
BAGGETT: I started new words {press} three years ago. While one catalyst was the total lack of poetry opportunities for trans* writers, the primary catalyst was activism. I wanted to do more than protest, and I’m not much of an organizer. I wanted to find a way to use the privilege I have along with my skill set to make a difference; one that I believed would be sustainable for me. With a 20+ year background in web development and digital marketing, experience with literary journals, experience starting and owning businesses, and financial means, this was the logical choice– one I was passionate about. Activism can take on many forms. So, I just jumped in.
HOPKINSON: Who is your target reader audience?
BAGGETT: Anyone interested in new, innovative poetry. I hate to say everyone because that’s never the case, but the target audience is large. Unfortunately, the cis, straight audience often thinks this is poetry FOR trans* people, but nothing could be farther from the truth. This is incredible poetry that happens to be written by trans* poets. I’m still looking for ways to message this more to the cis audience. They can really connect with brilliant poetry, and in many cases, identify and empathize with the trans* experience. Much of what trans* people encounter is exactly the same as any human being– loss, grief, success, the mundane, relationships, and connection.
HOPKINSON: What type of work are you looking for in submissions?
BAGGETT: We want work that takes risks & erases boundaries in form, content, diction, language, and process. While there is a review process for submissions, we are not afraid of work that would likely be rejected by mainstream cis journals. We have a no topic is out of bounds policy, expecting of course anything that is hate speech.
HOPKINSON: What do you wish you’d see submitted, but rarely comes in?
BAGGETT: I love experimental work, which is a broad statement, and our journals definitely reflect just how broad that spectrum is. I’d love to see more boundary pushing work, including poetry that integrates visual elements.
HOPKINSON: What are some of your favorite lit mags/journals?
BAGGETT: Great question. Foglifter, Rattle, River Styx, Fourteen Poems, beestung, Impossible Archetype, and the list goes on and on.
HOPKINSON: What is your favorite part of being on staff with the new words {press}?
BAGGETT: Seeing the brilliant work of trans* poets go out into the world, and seeing the community that’s coming together.
HOPKINSON: Where can we send submissions?
BAGGETT: We use submittable. There’s also a submit page on our website that has all of the guidelines and a link to our submittable page.
HOPKINSON: If someone has a question, how can they contact you?
BAGGETT: Since it’s mostly me handling everything, anyone can contact me at brooklyn@newwordspress.com or fill out the form on the website (it comes directly to me)
HOPKINSON: Is there anything exciting coming up you’d like to mention?
BAGGETT: Yes! We have three new books coming out soon: it answers to my name by samari zysk, Revenant Walk by Arya Burkes, and The Ballad of a Bloodless Hangnail by Harper Walton. Also, we’ll be having a reading event on July 20th to coincide with the New York Poetry Festival that will feature many of our authors. Details to come.
Click here to read submission guidelines.
- SUBMISSION DEADLINE: April 20, 2026
- Currently open for Issue no. 8. Submissions close April 20, 2026. We publish the journal 3 times a year. Manuscript calls only occur when there is bandwidth to read them.
- FORMAT: print
- SUBMISSION FEE: None
- PAYMENT: $10 + a copy of the issue
- ISSUE FREQUENCY: triannual
- AVERAGE RESPONSE TIME: 2 weeks
- SUBMISSION METHOD: Submittable
- SIMULTANEOUS SUBMISSIONS: Yes
- FORMS: Poetry & Hybrid Poetry
- LISTINGS: Chill Subs, CLMP
- SOCIAL MEDIA: YouTube, Bluesky
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