The Weird Reader is an online art and literary magazine founded in 2016 that publishes a new volume annually. Their tagline reads “A literary magazine full of the strange, disturbing, fantastic, and otherworldly.” I was curious how and why this art and literary magazine began, so I asked […]
Second Day I just rewrote the poem I started yesterday, updated the TOC in the new manuscript, and yawned. Am I running out of steam? I have decided to start this record of my one month between-teaching assignments that I have dedicated to writing at home. The flow […]
For the Sonorous is a new “literary journal dedicated to empowering and publishing women and non-binary people of color.” They publish three online issues of poetry, prose, and art each year. Additionally, they are supporting women and non-binary poets and writers by providing a summer writing workshop. Their first […]
Sonic Boom is a literary & arts journal seeking both solicited and unsolicited experimental poetry, flash fiction, and visual art submissions tri-annually; featuring an annual free contest; plus, a new chapbook press: Yavanika! They “hope to integrate multifarious genres of literature and artwork including Japanese short-forms of poetry, avant-garde, […]
This is a really cool prompt and submission opportunity from the folks at Golden Walkman Magazine for a project they are calling “Dialogue Submissions.” Every few months, they will publish a Dialogue Starter Issue with poetry and prose inspired by an original, contributor-provided piece of instrumental music. “Writers will have (1) […]
Peculiar is fairly new LGBTQ+ print and online art and literary journal. They just recently opened to national submissions. I was curious how and why this art and literary journal began, so I asked Co-Editors Jack Garcia and Aaron Gates a few questions to find out. See my […]
When I first learned about erasure poetry, I was enamored with the form. The idea that a poem could be hidden inside any text was intoxicating—a challenge I insist on pushing to the limit. There are so many variables: your source text, your mood, whether you’re working by […]
