Site icon Trish Hopkinson

“Past Imperfect” an essay on writing life – guest blog post by Jillian M. Phillips

When I got a "real world" job after years of intermittently waitressing and staying at home, I stopped writing. Not because I wanted to. I found myself so drained of inspiration that I simply couldn't put pen to paper. Instead, I spent my days rushing to get my kids off to school, myself off to work, and by the time I got home and cooked dinner, I really just wanted to unwind by watching television that didn't require me to think.

The other problem was that I had carved myself into very specific aesthetic niche. If I wasn't writing poems that fit into that little box, it just didn't seem worth it. It felt as if I wasn't being who I wanted to be and if I couldn't be that poet, who would I be? How would readers recognize my work if it was constantly changing? I could never organize all these different voices I have into a cohesive collection, so I might as well not bother writing until I could match the voice I was publishing in the most. I also have a talent for coming up with excellent excuses for my own shortcomings. I am like my own scapegoat.

In two years, I wrote less than ten poems. And that is a generous estimate. My husband constantly harped on me about the amount of debt I incurred by getting a MFA in Writing and not using it. I tried convincing him that I used my skills in my retail printing job every day, but even I wasn't convinced. I had project ideas out the wazoo, but wouldn't work on them because:

All in all, I've had plenty of time to fulfill my dream of becoming a more established poet. I'm just not. And that's definitely on me. I'm trying to rectify that lately. I'm trying not to listen the voice in my head that says it has to be perfect the first time I write it because I suck at revision. I'm trying to open myself to the possibility of other genres besides poetry. I try to be a good literary citizen by checking out poetry groups on Facebook and contributing, buying poetry journals at the bookstore (if only to make sure that someone's doing it, so they keep stocking them), commenting on work when I'm asked.

The trick is really to write. Write anything. Write actual words. I'm trying to break the habit of making excuses and develop new habits that work for me and what my life is like. Who knows if they work for other poets, but I finally feel like I can create habits that work for who I am as a person and poet now versus the poet I want to be someday. I've taken to doing the following, and it seems to be helping:

Wherever we go in the poetry world, it's on us. We can't be real without being imperfect and it's hardest to give ourselves permission to do that. If I have nothing to say poetically or beautifully, how do I say anything at all? If I'm tired why make poems a priority? The answer is that no one can write my poems for me and if they did, I'd be super-mad because someone stole my idea (which would really mean they just wrote it first because I was too busy finding reasons why I couldn't write it myself). So, I write the poems I need to, in the form they come in, and realize it's okay if they're not perfect because I'm not perfect either.


Do you have something say about poetry? An essay on being a poet, tips for poets, or poetry you love? TrishHopkinson.com is now accepting pitches for guest blog posts. 

Contact me here if you are interested! 


Jillian M. Phillips lives and writes in Northwestern Wisconsin. She holds an MFA in Writing from University of Nebraska at Omaha. Her work has appeared in Menacing Hedge, Nonbinary Review, and others. Her chapbook Pretty the Ugly was published in 2013 by ELJ Publications.

Exit mobile version