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To Swag or Not to Swag (And How to Do It Right) – guest blog post by John Sibley Williams

Many authors know about swag and its potential to increase visibility and book sales. But with the wealth of material and distribution options available, what is the best way to integrate it into their marketing campaign? Here are a few tips on how to make the most of your swag strategy and ensure it fits your budget.

Choose Swag that Represents Your Author Brand

Just because you can print your name or book cover on almost anything, that doesn't mean you should. Choose materials you know your readers will actually want and those that will embody your author brand. Here are a few ideas for swag you can give away in social media contests, at author events, and on your author website:

Consider which materials will resonate strongest with your core audience. If you have a professional book, perhaps pens, stationary, or coffee mugs would fit. If you have a YA novel, might readers enjoy stickers or buttons? As a poet, I've frequently used postcards, bookmarks, and magnets.

Also consider the kind of image you'd like to use, which depends on both your readership and your intended goal. Are you advertising yourself as an author/professional or a specific book? Not all images will be equally resonant with readers.

Swag Do's

Swag Don'ts

How to Distribute Your Swag

You'll want to spread your swag far and wide. You'll want to create a mailing list right away, as sending promotional materials to your contacts is crucial. You also want to send your swag to local bookstores and libraries, as well as all pertinent media, including magazines and bloggers. If you write for a specific audience, send your swag to such targeted venues. For a children's book, you should mail swag to schools, summer camps, and children's stores. If you write science fiction, try a comic book or video game shop. Send your swag to where your readers spend their time.

A few other distribution ideas:

In the end, swag is like any other publicity effort. It's all about finding your readers and targeting an approach that is most likely to pique their interest. As no two books or authors are alike, no tactic is guaranteed to work. Try out different kinds of swag and new manners of distribution until you find a strategy that fits your needs.


Do you have something say about poetry? An essay on being a poet, tips for poets, or poetry you love? TrishHopkinson.com is now accepting pitches for guest blog posts. 

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John Sibley Williams is the author of As One Fire Consumes Another (Orison Poetry Prize, 2019), Skin Memory (Backwaters Prize, 2019), Disinheritance, and Controlled Hallucinations. A nineteen-time Pushcart nominee, John is the winner of numerous awards, including the Philip Booth Award, American Literary Review Poetry Contest, Phyllis Smart-Young Prize, Confrontation Poetry Prize, and Laux/Millar Prize. He serves as editor of The Inflectionist Review and works as an educator and literary agent. Previous publishing credits include: The Yale Review, Midwest Quarterly, Southern Review, Sycamore Review, Prairie Schooner, The Massachusetts Review, Saranac Review, Atlanta Review, TriQuarterly, Columbia Poetry Review, Mid-American Review, Poetry Northwest, and Third Coast.

His upcoming book, As One Fire Consumes Another, is available for preorder at Orison Books. For more information, visit his website at https://www.johnsibleywilliams.com/.

 

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