A fellow poet recently had the courage to complain about the expense of our chosen vocation. It’s a sad fact that the net proceeds for poets are usually negative. We often have to pay to develop our craft and get ourselves read. Perhaps it’s not unlike many art forms in this way — especially the “fine” arts like ballet. In the case of poetry, schools, workshops, conferences, book tours, and contest fees all add up. Those of us who publish books may end up making little or nothing on them. Readings at most venues don’t offer remuneration, while the poet usually ends up having to pay for gas and dinner. If you sell a few books, you’re lucky to break even.
Payment — or lack thereof — is difficult subject to speak about in public settings, partly because of the unspoken taboo on discussing money matters at all, and partly because of the notion that artists must do what they love for free, or have to suffer for their art, living in garrets and shivering next to wood stoves. It’s easy to sound bitter, and no one wants to publish — or read — a bitter poet. It is possible to make a living as a writer of prose, but not with poetry. Not in American society, where most mentions of poetry in mainstream society joke about how awful it is to have to listen to it.
This double bind is why I went into web development in the mid 1990s. I didn’t have parents who could support me or supplement my income and I didn’t have the connections that make it so much easier to break into publishing. Zines and websites used to circumvent the snooty literary establishment, but the fact is that my education and inclinations have given me champagne taste when it comes to literature in general and poetry in particular.
After 20 years in an industry that’s taken me further and further away from my literary roots, I’m embarking on a low-residency MFA program that will allow me to keep my job while I focus on honing my craft in my off-hours. An MFA is not cheap. I was fortunate enough to qualify for a merit scholarship, but I’ll be paying for the bulk of tuition with student loans. Once I graduate, my monthly payments will equal about half of mortgage. Worst case scenario is that I end up saddled with so much debt that means I can’t afford to make a career change more in line with my passions.
All of that being said, I do believe there are bright spots in the cloudy future. Grants do exist. Paying gigs (mostly teaching, but also prose writing) do exist. Scholarships do exist. Free artist residencies do exist. Lesley awarded me a scholarship and I’ve won awards in the past so I know it’s a possibility for me. The key is to not get sucked in to the maw of the pay-for-play mentality of some literary circles. And that’s hard because sometimes the people in those circles are the poets I really admire and want to be like.
I’ve spent so much time avoiding dedicating myself to the arts because I’ve been too afraid of failure. I’m taking the leap this time — or, more accurately, I’m taking a measured, clear-eyed walk along a rocky and difficult path that hugs the side of the mountain.
Succeeding in the end might require a revision of my definition of success into outcomes I can directly affect rather than those that depend on the whim and tastes of judges and editors. When I look at it that way, success is inevitable.
–originally published on Garden of Words
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Frances Donovan’s work has appeared in journals such as Borderlands, Snapdragon, Marathon Literary Review, Oddball Magazine, and The Writer. An MFA candidate at Lesley University, she curated the Poetry@Prose reading series and has appeared as a featured reader at numerous venues. She once drove a bulldozer in a Gay Pride parade. She once stood naked at the edge of the Pacific Ocean. But she hasn’t yet done both on the same day. You can find her climbing hills in Roslindale and online at www.gardenofwords.com.
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