Trish Hopkinson is a poet and literary arts advocate. You can find her online at SelfishPoet.com and provisionally in Colorado, where she runs the regional poetry group Rock Canyon Poets, curates Poetry Happens for KRCL 90.9 FM, and is a Poetry Reader for The Adroit Journal. Her poetry has been published in several magazines and journals, including Sugar House Review, Glass Poetry Press, and The Penn Review; and her fourth chapbook Almost Famous was published by Yavanika Press in 2019. Hopkinson happily answers to labels such as atheist, feminist, and empty nester; and enjoys traveling, live music, and craft beer.
The Sejong Cultural Society is a 501(c)(3) not-for-profit organization founded in Chicago, IL in 2004. They are currently open for no fee entries for their Sejong International Sijo Competition. The sijo is a traditional three-line Korean poetic form organized technically and thematically by line and syllable count. Click […]
Garden Party Collective treats publishing as an invitation—a collaborative space where emerging poets are welcomed into a community that grows together. In this interview, Founder Christopher Morgan shares how GPC evolved from a chapbook contest into a collective rooted in transparency, shared creative work, and a commitment to […]
This contest from Poetry Super Highway is a great opportunity for only $1 per poem to enter, especially since you can enter as many poems as you like. ALL of the entry fees go to the prize pool, and the prize money is not too shabby, usually in […]
–originally published as “THE GENEROUS ACT OF PUBLISHING DRAFTS: Letting Poems Exist as Iterations” in Cleaver Magazine Most of the poems in my debut book, Certain Shelter, appeared first in journals—and in almost every case, the book version of a poem differs from the original. Often the edits are […]
I’m pleased to share that my poem “she-god after she-god” was published in Luna Luna Magazine alongside a beautiful photograph by Lisa Marie Basile of the Santuario di Rosalia in Palermo. This poem is part of a long?running series, four of which appear in my full?length collection A […]
This lyric-hybrid essay was one of two finalists for the 2026 Dogwood Literary Prize, now out in Dogwood, a journal of poetry and prose, Volume 25. The essay combines poetry, writing practice, and memoir building. Bridger will be featured at the upcoming Grand Mesa Writers’ Symposium along with Craig Childs, […]
Diode Poetry Journal has been a steady force in contemporary poetry for nearly twenty years, publishing work that’s sharp, curious, and deeply engaged with the world. Editor Patty Paine has shaped the journal with a commitment to diversity, anti-racism, and a wide aesthetic range, creating a space where […]
If you’re drawn to poetry that risks something—work that’s strange, gorgeous, and willing to push back against the systems we live in—South Broadway Press is a space you’ll want to know. Based in Denver, the press has grown over the last eight years from local events into a […]
It’s very hard to write about something you don’t fully understand. I did not know the term agoraphobia until years after my first episode at eleven years old. I found it inside of an old psychology textbook. Specifically, agoraphobia with panic disorder. Panic attacks often come with the […]
Weber—The Contemporary West has been a home for sharp, resonant writing and art since 1983, publishing work that explores the culture and environment of the West and the wider world. Under the new editorial team of Sunni Brown Wilkinson and Ukamaka Olisakwe, the journal is moving to a […]
